2 Jennifer – Cover Art Revealed!

Earlier this month, Deadline dropped the news that LAHorror.com original feature film, “2 Jennifer,” has been picked up for distribution from  Sector 5 Films!  We are so stoked to be working with Sector 5 Films and cannot wait for the world to see this movie!  We wanted to share our new poster so you can keep your eyes out for it…the film is expected to be released later this year.

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Also be sure to check the official trailer from Sector 5 Films.  Thanks so much for your support on this project, and keep your eyes peeled as there’s a LOT more news about this project #comingsoon…

 

2 Jennifer – Trailer / World Premiere Announced!

We are extremely excited to announce the world premiere of LAHorror.com’s first feature film, “2 Jennifer,” as well as dropping our official trailer for the project!  “2 Jennifer” is an “R” rated feature horror film.

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Synopsis:  “Two filmmakers attempt to make the perfect sequel to “To Jennifer,” however a dark secret threatens the lives of everyone involved. Jennifer, a beautiful actress, now has two options: become the heroine of the film or face a brutal death.”

Our film is a sequel to James Cullen Bressack‘s 2013 cult horror flick “To Jennifer” (trailer).  It is shot entirely on the iPhone 6 in three different states.  The film stars Hunter Johnson, David Coupe & Lara Jean Mummert.  The film also features a fantastic supporting cast led by Felissa Rose, Erin Marie Hogan, as well as “To Jennifer” alums Bressack, Jarrett Furst and Jody Barton.  The film was produced by Frank Merle (The Employertrailer).

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2 Jennifer has received quality reviews from HorrorSociety.com, SinfulCelluloid.com, HaddonfieldHorror.com & 9thCircleofHorror.com, among others.  We are extremely excited to invite YOU to our free world premiere screening in West Hollywood with our cast & crew!  Here’s the info:

Date:  January 29th, 2016

Time:  8:30pm screening, 7:30pm photos

Location:  The Actors Company, 916 A North Formosa Ave, West Hollywood, CA 90046.

To RSVP:  E-mail “2JenniferPremiere@gmail.com” with guest names.  Tickets will be on a first come, first served basis.

Stay up to date with 2 Jennifer by following LAHorror.com on Twitter, Facebook & Instagram.

“Ugly Sweater Party” – A New Holiday Horror Filming Soon!

Christmas time is right around the corner, horror lovers! Maybe this year you’re going to visit the family, perhaps you’re going on a trip, or maybe, just maaaybe, you’re going to be drinking spiked egg nog at an Ugly Sweater Party?? Well, that seems to be the plan for writer/director Aaron Mento, who is officially in preproduction for the feature length horror comedy, “Ugly Sweater Party”! This film is being produced by Mento, Charles Chudabala and myself (Hunter Johnson), and we are stoked to bring some serious holiday fear in 2016!

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Ugly Sweater Party will be the second feature film from Mento & Ocular Migraine Productions, who entered the scene with his thought provoking horror comedy “Standards of Living.” Recently, he created the popular horror web series “Choose Their Kill,” partnered with CryptTV.  Now he’s back with a frosty new vision of Christmas terror! We’ve been quietly working on this film for some time, and now that we are officially gearing up to film, we had to share! Here’s the logline:

An ugly sweater party turns into a bloodbath when an evil Christmas sweater possesses one of the partygoers…

Starring in the film is horror scream queen Felissa Rose, Tiffani Fest, Lara Jean Mummert, Marv Blauvelt, Matt Holbrook, Chudabala and myself…along with some other familiar faces to be announced very soon! The film will be shot by Paul Stephen Edwards.

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If you enjoy “R” rated horror loaded with GORE, demonic psycho killers, blood thirsty revenge and plenty of ugly sweaters, then for the sake of Jesus’ birthday keep up with our project! We’ll keep you up to date on everything happening with this film right here on LAHorror.com, but give us an early Christmas present and follow “Ugly Sweater Party” on Twitter, Facebook & Instagram! Everyone’s invited to the party!

“Survive” – A New Horror Thriller from Timothy Ray Brandon

What would you do for $100,000?  A lot, I’m sure.  Probably some stuff you don’t even want to think about.  But here’s a question, for that kind of cash, would you risk your own life?  Writer/Director Timothy Ray Brandon & True That Productions poses this very question in his new horror thriller, “Survive“!  This film follows a group of strangers who meet for a big money opportunity, only to find out that the only way to get the cash is to SURVIVE!

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This feature film is action packed, thrilling, and loads of bloody fun.  I personally had the privilege of acting in this film and I cannot be more excited to share it with you all.  I can tell you, from first hand experience, that this film is loaded with incredibly talented performers, including but not limited to Charles Chudabala, Gary Laramore, Matt Holbrook, Thomas Gunter, Errol Sack, Jenna Purdy and Denise Woelpern.  It’s a great ensemble piece full of excitement, and did I mention a bit of gruesome gore as well?  (spoiler alert – not everyone survives!)

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What I love most about this film is the passion behind it, lead by Timothy Ray Brandon.  This is another prime example of horror done right on a smaller budget.  Brandon crafts an exhilarating film that will keep you guessing until the very end.  I’m extremely proud to be a part of this project, you will definitely get a kick out this!

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This film is now available to watch in it’s entirety, so if you want to Survive, then rent it now!

Be sure to “like” “Survive” on Facebook!  You can also keep up with True That Productions here!

LA Horror Review: “Dismembering Christmas”

Happy Holidays Horror Lovers!  And no, I’m not talking about Halloween – I’m talking about that oh so snowy Christmas time that we all love and enjoy!  Sure, it’s a couple of months away, but Slasher Studios, the team behind LAHorror.com favorite “Don’t Go To The Reunion,” has started the celebration early with their new feature length horror film, “Dismembering Christmas!”

Long story short, we’ve got seven high school friends who meet up to party at a swanky cabin, stocked with liquor. They meet several sketchy locals, drink a couple too many and start to get iced one by one.  What’s truly enjoyable about this flick, and the slasher genre in general, is trying to guess who will be next, and not only that but who is behind the killings themselves.  It’s a classic slasher mystery that plays very nicely.

The strongest part of “Dismembering Christmas,” and also the aspect that takes this film to a higher level, is the superb direction from Austin Bosley, coupled with stellar cinematography from Anthony Hawn and Jordan Hiller.  There are several fantastic sequences throughout the film that are a fright, and some very well choreographed scenes involving the killer and victims kept me on the edge of my seat, often without the cut of the camera.  For the most part, this film is beautiful, playing up the snowy setting and making use of the entire space of the setting in a very enjoyable way.  Being Bosley’s feature film debut, he crafts suspense like a true vet of the genre.  “Dismembering Christmas” is damn gory, hella suspenseful, and does much more than pay homage to the great Christmas horror flicks that paved the way for it – it invites itself to the  party and spikes the damn egg nog.

Let’s move onto the kills.  FANTASTIC kills.  What I loved about them is that they were all fun and surprising, several kills literally made me think “well, I didn’t see that coming.”  And much to my sick delight, neither do the characters.  Each one is unique and wintery, playing heavily into the Christmas theme of the movie.  You gotta love that.  On top of that, the “Dismembering Christmas” killer is bone chilling – the costume and mask choices lend to a truly unsettling anti-hero.

But good kills don’t matter if we don’t like the characters, and fortunately the cast of “Dismembering Christmas” really slays it.  Some strong performances aided by a fun script make this film very entertaining, and the performances get better especially as the film gets going.  Some major props go to Leah Wiseman, who gives an exceptional performance, particularly in one high suspense sequence reminiscent of Bob Clark’s “Black Christmas.”

Lastly, Dylan Curzon‘s score is a demented delight.  Classic Christmas melodies blended with traditional slasher twangs added so much to the overall success of this film, and if you know slashers, then you know just how important the music is.  Curzon knocks it out of the park, without a doubt.

I love holiday horror movies, and I have no doubt that “Dismembering Christmas” will become a staple at lots of Christmas themed horror parties for years to come.  This film is definitely worth checking out if you’re in the holiday horror spirit, and would make a bloody good stocking stuffer.  Get DISMEMBERED.

“Dismembering Christmas” is now available to rent on Amazon!  The film is also available to purchase on  through SlasherStudios.com.  Keep up with “Dismembering Christmas” on Facebook!

Coming Soon from Grit Film Works: “Restoration” & “Bethany”

Greetings, horror lovers!  It’s my pleasure to share the news that a new production company, Grit Film Works, is now in production on two micro-budget horror films that are going to haunt your face off!  The films, entitled “Restoration” & “Bethany,” are being produced by Grit Film Works’ James Cullen Bressack & Zack Ward.

On a side note, I am an Associate Producer on these projects along with Jarrett Furst, Christian Ackerman & Line Producer John Mehrer.  I can tell you first hand that these films are going to shock, horrify and satisfy your lust for blood and horror!    The Hollywood Reporter just dropped the news in a new exclusive, check it out below!

Two Microbudget Horror Films First on Slate From New Production Company

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“Grit Film Works is off to a terrifyingly fast start.

The production company, owned by filmmakers James Cullen Bressack and Zack Ward, is in the middle of back-to-back shoots for two horror films.

Bethany stars Stefanie Estes as Claire, a woman who moves back into her childhood home with her husband. The abusive, traumatic memories of her mother return to haunt her — as her husband becomes busier with work, she finds herself in a fog of memories — as a small figure tries to reach out to her.

Bressack is directing the film, which also stars Ward, Shannen DohertyFelissa RoseBrodus ClayPeter JasonJohn MurrayOlivia StiefelAnna Harr and Ellen Gerstell.

The second film, Restoration centers on a young doctor who moves to a new town with her husband while she completes her residency. Things seem to be going well, as she and her husband, a contractor, renovate their home, and meet a fun couple next door. Things take a dark turn when they discovery a diary buried within the walls of their house, and a terrifying spirit is awakened.

Restoration stars Emily O’Brien, Ward, Adrian Gaeta and Sarah Ann Schultz. Ward also is directing the film

Ward and Bressack co-wrote both scripts. Restoration is currently shooting, while Bethany is set to begin filming later this month.”

Keep up with “Restoration” and “Bethany” right here at LAHorror.com!  Also be sure to follow us on Twitter for all the latest updates.  We will be sharing exclusive photos, videos and interviews as the films continue!

Confessions of a Midnight Killer

8:15PM.  November 29, 2014.  Saturday night.  The dinner rush was well underway at the In-n-Out restaurant on Whittier Avenue.  Nearly a hundred people were eating or waiting for their burgers and fries under the bright fluorescent lighting when I stepped in.

For just a second, it seemed that everything stopped except for the kitchen workers in the back.  This likely had more to do with my state of mind than reality, but I hadn’t quite adjusted to real time yet.

A man in a checkered short sleeved shirt pointed at me.  “Um, hey man.  You’ve got some blood on you.”

I looked down.  My jeans were spattered with red drops and my purple Washington Huskies shirt had red handprints smeared all over it.

“Don’t worry,” I said.  “It’s not mine.”

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I’d interviewed creator Adrian Marcato about H E R E T I C after meeting him at a few horror conventions.  I had nearly attended the last H E R E T I C event: P A R A T O X I C, but the event had to be closed early.

“I’ll make it up to you,” he’d said.  “I’ll more than make it up to you with Midnight Killer.”  He promised an event unlike any other extreme haunt.

I followed the event on its Facebook page and began to get e-mails.  Slowly, information about the event emerged.  First, a time: 6:45PM on November 29th.  Next, instructions on what to wear (nothing that I didn’t want completely ruined) and a safe word (“lunatic”).

A few details began to appear.  The central character would be a serial killing psychopath named Lucas Merrill who owned a knife that he called “The Slave.”

A few days before the event, a series of short videos began to appear on the H E R E T I C Facebook site.  Each was 15 seconds long.  The first showed a view of a late night freeway drive through a rain/blood soaked windshield while a song reminiscent of a 50s romantic ballad by Fabian played.  The second showed “The Slave” being washed in a sink.  A third was even more ambiguous and dark, with an old country music murder ballad soundtrack.

Final instructions provided a location: a cheap motel in Monterey Park.  I was given a room number and instructed to bring my phone to the meeting.  I was to arrive at exactly my appointment time.

I left the San Gabriel Valley at 6:00PM.  It was already night, and an inbound storm threw an extra blanket of dark clouds over Los Angeles.  On the freeway approaching the hotel, I was nearly wiped off the road by a group of racing tuner cars.  My stomach was in knots, and I had no idea what to expect.

I parked a couple of blocks from the motel.  I was early, so I took a walk around the block.  The temperature was starting to drop, and I was glad that I’d worn a long sleeve shirt under my Huskies tee.

At 6:45 promptly, I walked up to the second floor and knocked on the door of the designated room.  Nothing happened for a while, then the blinds of the window shifted a bit.  A man’s voice barked out “What is your name?”  I answered and the door opened.

The room I entered was decorated in mid-century motel seediness.

A giant blonde man in a black suit glowered at me.  He had a cell phone in one hand and he pointed me over toward a veiled woman in black in the corner of the room.  “Over there,” he muttered in an accented voice.  He then began to have a conversation in Russian on his phone.

The woman in black had contact lenses of different colors in each eye.  She handed me a release form to sign and conducted an interview.  “Do you have any medical conditions that we need to be aware of?  Do you understand that this is an extreme simulation?  You may be forced to ingest a substance.  Are you alright with that?”

When the release form was signed, the Russian shoves me up against a wall and frisks me.  “What’s this?” he barked.

“My phone,” I answered.  “I was told to bring it with me.”

After he was satisfied that my phone and keys were all I’d brought with me, he nodded at the woman in black.  “He’s clean.”

The woman told me to open my phone’s GPS app and enter an address.  “Someone will be waiting for you there,” she said.  “You’ll need to knock three times when you get there.”

I stepped out into the night.  It was getting colder.

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By the time that I’d had this meeting, others had already been sent to the address.  More would follow me.  Managing this type of a live event is a maelstrom of logistics and timing.  Throw in the possibility of police intervention (they were contacted six times regarding the event), practical effects, and traffic; it’s unlikely that any attendees had exactly the same experience.  There was no listed run time for the event.  You were in for as long as you wanted to be.  The only way out was to say the safe word or leave the simulation at the end of the story.

The GPS directed me to a small apartment complex a few miles away in Montebello, an East Los Angeles suburb.  After parking, I walked down the sidewalk.  A young woman dressed in black walked a large Samoyed toward me.

“Give me your shit,” she smiled.  I handed over my phone and keys, which she put in a plastic bag.  She wrote my name on the front with a Sharpie and said “Just a minute.”

She walked away and spoke into a walkie-talkie.  After a moment, she turned back and told me to go upstairs.

I climbed the stairs and stood outside the door.  A sense of anticipation built within me.  I nearly rang the doorbell, but remembered the directions that I had been given.  I knocked three times.

Time broke down at that point.  I waited for either a few seconds or about a minute.  The door opened and a young woman greeted me.  “Hi, I’m Sasha!”  A fine mist hung in the air, diffusing the light and giving the apartment a definite romantic atmosphere.

Sasha had short blonde hair.  She had a warm, inviting smile.  She seemed genuinely happy to see me.  She took my arm, invited me in, directed me over to a sofa, and offered me a drink, which I declined.

“Oh, wait,” she said.  “This isn’t the song I wanted.”  The song playing from the dining room was the 50’s romantic ballad from the Facebook video.  She got up to change the music.  As she stood, I saw that her back was covered with a colorful tattoo.

In the moment that she was gone, I glanced around the apartment.  The realization that this was an elaborate ruse shook me.  I experienced an out of body feeling.  I began to perceive the event as a movie.  My eyes were the camera that was recording the event and my brain was a recording medium.

I focused on details.  There was a mirror by the door.  In the top left corner of the mirror was a small smear of blood.  I looked down at the couch.  The slipcover was a waterproof cover.

“Never mind,” Sasha said.  She came back over and sat next to me.  “You look just like your picture,” she said.

A moment of confusion in my mind.  Where had she seen my picture?  I realized that this was just part of the script.

“I’m kind of nervous,” she said as she leaned in.

“Why are you nervous?” I asked.

“You know how it is.  People seem to be one way on the internet, and they could be something else.”

I shrug.  “I’m just me.”

A crashing sound from the back of the apartment interrupted our conversation.  She looked back, panicked.

“What’s that?  Is there someone else here?” she asked.  She got up and stepped into the hallway.  She began to scream.

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Sasha was thrown to a wall by the one of the largest man I have ever seen in my life: Lucas Merrill, the Midnight Killer.

I’m unable to describe him beyond being a force of violent nature.  His personality seemed to shift without warning.  In one moment he could be friendly and jovial, then he would abruptly become hostile with no provocation.

He grabbed me, flipped me over and threatened me.  I didn’t resist.  He bound my hands with duct tape and wrapped it around my mouth, gagging me.  He slapped my head and began to wrangle me around.

As he did this, I realized that he was directing my attention where he wanted me to look.  And I realized this was part of the performance: the composition of “the shot.”

I wasn’t really scared.  After all, he was a demon that could be exorcised with a single word or a few nods of my head.  That’s when an idea became concrete in my head: “There’s no way that I’m tapping out of this.  I’m in this for the whole ride.”

He raped Sasha in front of me.  Her face was right in mine and she held on to my arm.  She apologized.  She told me she was sorry.

He told me I was dirty and needed to be cleaned.  He picked me up with no effort and shoved me down the hall.  My feet slipped out from under me.  The floor was slick with blood.

I was dragged into the bathroom and shoved into the tub.  There was another woman in the tub.  She was crying.  He slammed the glass door closed.  She begged me to help her.  “Why won’t you talk to me?”  she pleaded.  I tried to speak, but the gag wasn’t coming loose.

It was here that I began to try and loosen my bonds.  My fingers were stuck together and I was beginning to become uncomfortable.  The tub was too small for two people.

Sasha came back in.  She said she had a plan.  She was going to distract him and we were going to make a run for the door.

The other girl wouldn’t stop crying.  Sasha tried to shut her up.  “You are still alive,” she said.  She had a point.  We got out of the tub.  Getting out of a tub while your hands are bound with duct tape is not easy.  My worst bruise of the night occurred at this point.

When we exited the bathroom, the apartment was filled with a thick, foggy haze.  I couldn’t see five feet in front of me.  In addition, I wasn’t wearing my glasses.  The fog combined with my astigmatism to create flares from every light source.  The effect was extremely cinematic.

I didn’t get much of a chance to appreciate it.  Sasha ran off to the side.  I was meant to run straight ahead for the door.  I didn’t.  It seemed like a bad idea.

Sure enough, Lucas emerged from the mist straight in front of me and grabbed me.  He threw me to the floor.

By this point, I had lost all sense of time.  What happened next could have taken five minutes or fifteen.  Lucas’s friends arrived at the apartment.  They were men dressed as women and they kissed and ran their hands all over me.  Sasha was killed.  Lucas threw me against her body.  He slapped her ass and then my head.  “This,” he slapped her “is the same as this,” he slapped me.

The men were getting turned on by all of this.  Lucas snapped for some reason and turned on them.  He murdered them while I watched.  As this happened, a movement from behind caught my eye.

At first I thought it was the other captive from the bathroom, but wasn’t.  My vision was completely unreliable at this point.  Was she wearing a veil?  I couldn’t tell.  She wore a red dress.  Not a veil, but there was something wrong with her face.  She moved freely around the killing.  Lucas did not seem to notice her.  A thought entered my head that she was not from this place.

“We’re going for a ride,” Lucas declared.  He grabbed me and wiped my face off with a filthy rag.  He forced me outside and down the stairs.  We travelled around the back.  He alternated between threatening me and joking with me.

He pulled me over to a U-Haul that was parked on the corner.  “Give me a minute,” he said as he unlocked the back.  He opened the back.  The truck was full of people.  Bound and gagged like me.

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I wasn’t prepared for the sight of all those people in the back of the truck.  I counted six or seven.  It was hard to tell because of the hanging plastic tarps and the blood.

I was shoved into the back.  I became aware that there was more than one person standing outside the truck.  I tried to avoid kicking the woman who was lying in the back of the truck, but I couldn’t help it.

“Roll, motherfucker!” shouted one of the men outside the truck.  I rolled in and the door slammed shut.

In the darkness, I could hear someone crying.  A man’s voice began to whisper.  He was saying that everything was going to be alright because he had a plan.

The truck started up and we sped off.  We were thrown around as the vehicle sped through the streets of Los Angeles.  The driver accelerated and broke fast in order to cause the maximum amount of discomfort.

I counted the turns, left and right.  I counted the stops.  When we came to our final destination, I was pretty sure that we were back where we started.

I heard voices outside the truck.  Someone was calling for Gloria.  “Have you seen Gloria?” I heard him ask.  After some muffled responses, he continued walking down the street calling “Gloria!  Gloria!”

The door opened and Merrill stepped back in.  “I heard somebody talking,” he laughed.  “Who couldn’t keep their fucking mouth shut?”

He walked around, sizing each of us up.  I was fairly sure that the guy next to me, the man with the plan, was part of the simulation.  He didn’t have a gag.  I was sure that the woman in the corner with her throat slit sitting in a pool of blood was in on it, too.  Everyone else, I assumed was a fellow attendee.

Merrill bent down to throttle the man with the plan.  The woman who I had kicked sprang up and brought a collapsable baton down across Merrill’s head.

“Run!” she shouted.  I took off.  Out of the corner of my eye, I saw one of the guys from the front of the truck being helped to his feet.  I jumped out of the back of the truck as the struggle in the truck continued.

The guy down the street was still calling for Gloria.

I ran toward the main street where I had parked.  By now, the blood and sweat had worked my duct tape gag loose.  With a little more effort, I was able to work my left hand free of the bonds.

I noticed that the guy who had been helped to his feet was beside me.  “Is that it?” he asked.

“I think so,” I said.  “I’m not sure.”

“Where are we?  Where’s the main street?” he asked.

I pointed down the street toward a building with a well lit parking lot.  “I recognize that Chinese restaurant.  We need to go down here.”

We head down the street and see that the woman with the Samoyed is handing the other participant’s belongings back to him.  We approach and she reaches into her purse and pulls out the plastic bags with our keys and phones.

“Is that it,” the man asks again.  “Game over?”

She nods.  “That’s it.  You’re safe now.”

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After the simulation was over, I wandered the street of Montebello for a while.  I tried to sort and process the events, and I found myself wondering if Midnight Killer was even the strangest event that was going on that evening.

This is, after all, the land of the Black Dahlia, the Night Stalker, and the Manson Family.  Weird, strange, and violent are currents that run deep through Southern California.

I felt a tremendous feeling of relief.  I had passed through without giving in.

It was not a rushing sense of euphoric joy, but of more of a focused calm.  I felt hungry and alive.  I needed food.  I got in my car and went to the In-N-Out.

As I ate my meal under the luminous cloudy sky, more victims were thrown into a truck full of madmen.

The day after the event, I got in touch with three other attendees through the Midnight Killer Facebook event.  I wanted to know how other people’s experiences compared with my own.  They agreed to share notes with me, and to talk about what Midnight Killer meant to them.  Mary Ellison, 49 and  Rebecca Horist, 26 were referred to me by Jaimee Rossi, aged 29.  All of them consider themselves fans of horror films.  Ellison and Horist both reference the “Saw” films and their message of redemption through suffering.

Ellison was the first person to go through the simulation that night, at 5:00PM.  She described the motel room where the initial meeting happened as having “a freshly fucked scent” that “smelled of condemnation.”  I’d have to agree that the room’s seediness added to the perceived feeling of danger.  In fact, as Ellison and Horist point out, the anticipation of the event plays a huge role.

Ellison said “My feelings up to the event are a mixture of sexual longing, intrigue, edge of your seat mystery and wonder and lastly undeniable actual terror. It is the stuff of nightmares when your imagination takes over. Your Facebook feed is littered with terrifying videos, revolting photographs, and true crime stories.  The actors taunt you weeks ahead of time with middle of the night phone calls, unnerving questions and knowledge of a shocking amount of personal information, which they will ultimately use against you in their personally customized treatment. It is a secret society.”

Mary Ellison was thrown into the bathroom tub like I was, however there was no second captive.  Instead, she came face to face with the apparition in the red dress.  My perception was wrong.  It wasn’t a woman.

“The door was open so I could see this dreadful creature lurking at me the whole time. He was an emaciated senior citizen in a provocative red mini-dress. His arthritic fingers and disgusting nails reminded me of Nosferatu. Then someone who I flat out cannot remember comes in and forces me to inhale something from a cartridge I do not recognize,” said Ellison.

I was not forced to ingest anything.  Ellison did not experience the “sexual serial killer gender fuckers” that I did.  She also seemed to have more interaction with the occupants of the truck than I or Rebecca Horist did.  Jamiee Rossi did not experience Sasha’s rape.  In fact, Rossi’s experience was unlike anyone else’s.

Rossi entered the simulation at 8:45PM.  While he was being bound and gagged, he heard another voice calling out.  It was his friend who had gone through ahead of him.  She begged for help, telling him that she had said the safe word and that they had not released her.  Sensing a test, Rossi tried to get her to say the safe word.  She did not.  Instead, he was released from the simulation.

Confused, Rossi stepped outside and talked with Marcato.  Marcato said that he was informed that Rossi had used the safe word.  Rossi insisted that he had never said the safe word.  He insisted that he would never say the safe word, no matter what.  Rossi was then inserted back into the simulation at a later point in the timeline.

In the back of the U-Haul truck, Jaimee Rossi became the man who broke the Midnight Killer.

Rossi was thrown into the van so hard that his shins bled as they hit the deck.  “The truck door slammed shut, and that’s when I knew the fun was going to begin,” he said.

According to his recollection, “Several people jumped all over me slammed my face on the bed of the truck while another was hitting me with an unknown object and another jamming their fingers underneath my rib cage! That seriously fucking sucked. One if the worst things that I’ve felt EVER.”

“They proceeded to duct tape my beanie over my eyes and kept covering my nose and mouth to suffocate me. Smearing blood all over my face. I continued to get roughed up and they began to cut the back of my pants off.  What happened next should stay between us…”

Rossi goes on to describe all manners of tortures inflicted upon him.  During this time, several other participants are thrown into the truck.  All of them call the safe word.  Rossi does not.

“I then got flipped on top my back and a shirt got placed over my faced and they began to pour water all over my face while one is digging at my ribs. Have you ever had someones fingers literally underneath your rib cage?” he asks.

“This happened 4 or 5 times before the door opened once more and another victim got tossed inside. They took their attention off of me and began to work on him. They made him say “Jamiee Rossi is one tough mother fucker.”

“He said that a few times as he was being slapped and he said the safety word,” said Rossi.   “Once more I was left with these psychopaths and they began do everything all over again, trying to make me say the safety word. I told them that I’d never say it and this had to be clear to them by now.”

“The truck door opened once more and I sat up, got my handcuffs taken off and they congratulated me saying I’m crazy and one bad mother fucker and that I’ve been in there for over two hours.  I got out of the truck and looked back . IT REALLY LOOKED LIKE A MURDER SCENE.”

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The night was not without setbacks for the H E R E T I C team.  They have issues with the police whenever they stage an event, for fairly obvious reasons.  The fact that this went on in a residential neighborhood is still stunning to me.  The team had to modify several events as the evening went on because of traffic logistics, to avoid disturbing the neighborhood and to avoid arrest.  As far as I can tell, the only part of the story that I did not participate in was the return of the Russian at the end to provide exposition that Lucas Merrill was now a prisoner of a serial killer hunting party called VICIOUS CIRCLE.

However, they remain an incredibly focused and tight-knit team that are determined to deliver unique experiences for their clients.

I asked Horist what drew her to attend Midnight Killer and she said “The story, but also once I emailed, I liked how big they are on keeping everyone safe- the actors and participants. Safe words AND gesture. The lady who checks you in even said it won’t go past you not being able to do one of the two- the actors do know once it has gone too far and when to stop.”

Trust is a huge factor in participating in an extreme event.  I’m going to be very honest here: IT HURTS.  I still have bruises on my arms and legs nearly a week later.  And I didn’t even get a very extreme version of the simulation.  It’s harrowing physically, mentally, and emotionally.  What I found from everyone that I spoke to, is that they trust Adrian Marcato to deliver an extreme experience and to see them safely out the other side.

Marcato inspires trust and loyalty from attendees and his performers.  I asked all three attendees about their feelings after the event and every one of them would want to repeat the experience.  In fact, Horist wanted very much to become one of the performers.  According to Ellison, “The threshold bar of my fear/pain tolerance increases each time. My feelings up to the event border on obsession. Yes, I will do it again because the gift of Heretic is fleeting and found nowhere else in the world.”

A week after the event, I wondered if everyone had got what they came for.  Mary Ellison certainly did.  She said “The only thing that I was unhappy about is that it didn’t last longer.”

Rebecca Horist agreed that the event could have been longer.  “I was a little surprised they did the rape scene- that was unnecessary.  But overall, I was not scared.  But the acting was well done.”  She continued “Now I want to act with them.”

I asked her if she would do a Midnight Killer event again.  “I would do a solo night where they only focus on you.  You are the only guest the entire night,” she said.

That is a possibility.  H E R E T I C is currently running a series entitled XPERIMENTS that is single patron.  The event is custom tailored to that patron’s fears and desires.  It lasts for four hours with a short break between two hour blocks.

In fact, the number of events that Marcato is planning has exploded within the last week.  Midnight Killer was the first H E R E T I C event that had a cover charge.  All of the group’s previous events had been invitation only and free of charge.  Judging by what occurred on November 29th, they have been fairly successful at learning from their previous efforts.

Mary Ellison makes it a point to attend any H E R E T I C event.  She said “The suspense is addictive and will enter your dreams at night. This kind of mind- fuckery is unbelievable, innovative, cutting edge…breathless. Each hint of what is to come builds higher and higher to an apex of fear and excitement. All the while you are isolated and impotent to do anything about your situation…kind of like BDSM predicament training. All of the special effects are first rate professional. I have never seen an open gash pulsate like that; it was so real I nearly puked.  The actors are method and passionate about what they do. They will push your limits and make you feel loved all at the same time. Gestalt Theater at its finest.”

Jaimee Rossi was thrilled with the outcome.  “It’s what I was expecting,” he declared.  “To get destroyed and to see what my body could endure.  I have much respect for Adrian Marcato.  They delivered.”

As for me, I got what I wanted: an event that was completely unlike anything else.  It was far more intense and graphic than the Blackout event that I attended last year.  It was like being a character in a movie.  There were moments of genuine shock and surprise.  Even though it was billed as a “serial killer simulation” and a “grind house” event, I found that thematically it had more in common with the works of David Lynch.

Over a week later, and the sense of quiet euphoria has yet to pass.  My dreams have become more vivid and meaningful.  It really got in my head in the way that Mary Ellison described.  I find myself wondering how the story will continue.  What visions await me if I continue the story?  Will they find my breaking point?

Part two of Midnight Killer continues in May 2015.  This story was written by LAHorror.com contributor Paul Stephen Edwards.

LA Horror Review: “Starry Eyes”

Amaray Wrap.EPSThere’s a neat magic trick that “Starry Eyes” pulls off.  In telling the story of an unknown actress going to great lengths for the lead role in a horror film, it allows a relatively unknown actress to deliver an amazing performance in a horror film.

That it’s able to pull this off without becoming self-referential and overly “meta” is a testament to the directing team of Kevin Kolsch and Dennis Widmyer.  They build a seedy, claustrophobic world that allows Alex Essoe to deliver an incredibly focused and committed performance.

Essoe plays Sarah Walker, an aspiring actress who works at Big Tater’s: a Hooter’s-esque restaurant run by Pat Healy, and surrounds herself with hipster frenemies while hustling auditions.  She’s obsessed with becoming a star.  Not just any kind of star, either.  She idolizes old Hollywood leading ladies.  Her timid demeanor masks some serious psychological issues: when she’s upset, she goes into fugue states and pulls her hair out in clumps.

starry-eyes-sxsw-laurel-official-1Her big break seems within reach when she lands an audition for Astraeus Pictures (also the real-life title of the film’s production company), which is depicted as the decaying remnant of an old Hollywood studio.  The audition does not go well, and she has an episode in the studio’s bathroom.  The Casting Director sees this and is intrigued.  She arranges another audition, where Sarah has one of her fits in front of the camera.

The rest of the film is the study of how far Walker is willing to go to achieve success with Astraeus.  Her ambition is the driving force behind the story and pushes her into a Faustian bargain with the Producer of Astraeus.

What’s fantastic is that the film works completely as metaphor for the process and business of acting while still telling a fantastic story.  It references great old Hollywood studio pictures such as “All About Eve” and “Sunset Boulevard” without quoting from them.  We’re never told exactly who or what the forces behind Astraeus are.  We simply see the wonderfully creepy and not quite human performances of Maria Olsen as the Casting Director and Louis Dezseran as the Producer

When Sarah makes her deal with Astraeus, the movie takes a swing into full blown body horror.  There’s some great disgusting makeup and gore in the second half of the movie.  The climax of the film is delightfully ambiguous, leaving you to decide if Sarah’s sacrifices and choices were worth it in the end.

Alex Essoe is the movie’s greatest special effect.  This movie is a showcase for her performance, as she’s in nearly every frame of the film.  She delivers a performance that is honestly one of the best I’ve seen this year.  Her scenes with Pat Healy are just spectacular: heartfelt and completely real.  I haven’t seen a woman disappear into a role this completely in a horror film since Tristan Risk’s Beatress in “American Mary.”

starry-eyes-art-print-final“Starry Eyes” isn’t just a great horror movie; it’s a great Los Angeles movie.  It uses a number of great locations around the city, and depicts the squalor and trashiness of modern Hollywood, contrasting the glamour and perfection of the movie version of Hollywood.  The lush cinematography by Adam Bricker excels in showing a beautiful environment and then zeroing in on the chaos and decay that lurk at the edges.  This is Hollywood by way of Lovecraft and Ligotti.

Finally, the score is perfect.  It’s by Jonathan Snipes, who also scored “The Shining documentary “Room 237.”  It’s due to be released in February when the movie hits DVD and Blu-Ray.

Starry Eyes is currently available on VOD from iTunes and Amazon Instant Video.  I was lucky enough to see it in its only Los Angeles screening at Cinefamily.  If you’re in the mood for a horror movie in the vein of “Rosemary’s Baby” or “Possession,” you’ll really enjoy this movie.  There’s so much creativity in every frame of this film.  Seek this one out wherever you can find it.

To learn more about “Starry Eyes,” visit the film’s official website, Facebook and Twitter.  This review was written by LAHorror.com contributor Paul Stephen Edwards.  

LA Horror Review: “Deadly Revisions”

unnamedA horror writer.  A hypnotherapist.  A cabin deep in the woods. These are just several pieces to Gregory Blair’s puzzle in his twisty-turny directorial debut “Deadly Revisions,” a freaky new thriller that will no doubt be a delight to the true horror viewer. This isn’t the type of horror flick that’s going to throw blood at you on every shot or have many gratuitous scenes, but rather a slow burning mind fuck that will get under your skin and no doubt keep you guessing until the very end. As an overall fan of the genre in general, there’s a hell of a lot to appreciate about this flick.  Did I mention that it stars horror super stud Bill Oberst, Jr.?

“Deadly Revisions” was the first featured project on LAHorror.com, and it’s great to see Gregory Blair’s vision come to life. I’m hesitant to call it a psychological thriller, because there are so many great elements from several horror genres that play out throughout the film. The story follows Grafton Torn (Oberst, Jr.), a horror writer struggling with amnesia, and when the memories begin to come back with the help of a beautiful hypnotherapist (Cindy Merrill), the line between horror fiction and reality starts to blur…

Because our protagonist is a horror writer, we get a good mix of all sorts of sinister scenarios in this film, which makes “Deadly Revisions” exciting and kept me on the edge of my seat. Prior to viewing, it was recommended that I watch with the lights off, and I’m so glad that I did, because by the end of this flick things get pretty damn intense.

Bill Oberst, Jr. absolutely crushes it as the disturbed Grafton Torn, with a portrayal of a tortured soul that is both disturbing and utterly heartbreaking. Oberst, Jr. looks so incredibly natural and ever in his element, and he is no doubt the powerful engine driving this film towards its shocking and horrifying climax. “Deadly Revisions” is another excellent example of just how much versatility he brings to the screen, especially in a horror picture.

And while Oberst, Jr. manages to steal the show, a terrific supporting cast and an extremely clever and engaging screenplay no doubt enhances his performance. There were several scenes, in particular, between Oberst, Jr. and actress Lise Hart that sent some serious shivers down my spine.  It’s hard to beat a horror flick with a kick ass story and actors that aren’t afraid to really go for it.

“Deadly Revisions” is definitely worth checking out if you’re a fan of the genre or a horror writer yourself, so keep your eyes peeled hard for this one.  The film is currently in the festival circuit where it has already received several awards, and I have a feeling there will be plenty more to come. Check it, horror lovers!

You can learn more about how to see “Deadly Revisions” on the films official website.  Also, be sure to keep up with “Deadly Revisions” on Facebook and follow the film on Twitter!

“Tiny Dancer” – A Short Horror Film by Sebastian Lee

Sebastian Lee‘s “Tiny Dancer” is a wonderful short horror film that you should probably just watch immediately.  At three and a half minutes, it’s quick, but good.  And as a major fan of not only ballet but of freaky horror, this one danced to a special place in my heart.  And major props to another unbelievable score by George Streicher (who happens to be one of our favorites).  Enjoy this one, horror lovers!