VHS Spotlight: “The Brain”

Lots of great stuff in the very near future coming to LAHorror.com!  But until then, let’s take a look back to another classic VHS that still needs to be released on DVD!  Alex Ray has the scoop on “The Brain,” a horror flick that may be in your basement stash, and one that definitely deserves to be revisited!

VHS SPOTLIGHT: THE BRAIN

1988 * 94 minutes * International Video Entertainment * Directed by Edward Hunt

brain_01_150It’s often noted that politics seem to influence trends in horror. The Vietnam War ushered in an era of dark, cynical works like Night of the Living Dead and The Texas Chain Saw Massacre. George Dubya’s time in office saw the rise of torture porn. So what did the Reagan years give us? Films like Larry Cohen’s The Stuff and John Carpenter’s They Live were fairly obvious responses to rampant consumer culture and a general brainwashing of the masses. But there was another un-subtle jab that went under the radar of our thoroughly manipulated collective consciousness: The Brain.

Yep, I’m waxing allegorical about a movie featuring a giant, floating brain that chases teenagers down steam tunnels. While it disguises itself with all the B-horror tropes, it’s pretty easy to see the not-very-hidden message: David Gale (of Re-Animator and Syngenor—look it up!) hosts a TV show called “Independent Thinking,” while he colludes with an alien brain that, well, brainwashes people!

Tom Breznahan (of Ski School) plays a lovable troublemaker just trying to get through high school. Too bad his parents and teachers think he needs a little psychiatric intervention to get him on the right track. So our young prankster goes to Doc Gale, who seems to have just the prescription for all wayward teens (the brain hypnotizes them or something). But when he sees more than he’s supposed to, it’s Three Days of the Condor time for Tommy B.

It really does feel like more of a conspiracy thriller than a monster movie for a majority of the ninety-four minutes, but every so often there’s a slithering tentacle or a topless nurse to remind us of what we’re really watching—which I’m nearly sixty-seven percent sure was pitched as Nightmare on Elm Street meets Videodrome. From there it must have mutated a little (as did a lot of things in those two movies), until they settled on this wannabe Robert Redford vehicle with shades of hentai (maybe intentional; probably not).

Of course, the classics mentioned above aren’t the only ones brought to mind by The Brain (see what I did there?). It owes The Crazies at least half a doff of the cap, and there’s a great Invasion of the Body Snatchers vibe to boot. Here’s a fun fact: M. Night Shyamalan took fifteen minutes of this movie and adapted it into his feature-length screenplay for The Happening, which, conversely, is one-sixth as entertaining.

Well, since I’ve now broken the record for number of movie titles referenced within a single review, I’ll hunker down and get serious. I really do like this movie. The story is compelling and generates a lot of momentum. Unlike with many teen horror flicks, we don’t spend the first act in a van, and the rest doesn’t hang on the suspense of guessing who will be next to hear a strange noise (not to cast aspersions; those movies are great, too). The characters are well-established early on, and then we’re off and running, all the way to the inevitable showdown with the brain—a proxy for any and all puppet masters behind politicians and spokespeople and celebrities. Yeah, this is deep stuff.

Not too deep, though. The subtext is pretty close to the surface at all times, and that’s kinda what makes it fun. The Brain really wears its heart on its sleeve—or its temporal lobe on its cerebral cortex, if you wanna get technical.

I proffer that this movie will only get more relevant, as our political and social landscapes get murkier and harder to navigate. It’s almost comforting to imagine that a big, alien, carnivorous brain might be responsible for all of society’s woes. Now that’s food for thought (yep, actual line!).

3 out of 4 stars

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VHS Spotlight is written by LAHorror.com contributor Alex Ray.

“Demons” – A Feature Film That Needs Your Help!

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Demons.  We’ve all got them, in one way or another.  Maybe your demons have manifested from a regret or a lost loved one, a missed opportunity or a mistake.  Maybe you don’t even know that they’re there…until they rear their ugly heads.  For most of us, we learn to live with our demons, as they are often hard to conquer.  But in David Coupe‘s debut feature film “Demons,” it’s conquer or die, because these demons aren’t fucking around.  It’s a brand new vision of the demons we face in our daily lives, and just how powerful they can become…

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“Demons” is a feature length film gearing up to be shot in Chicago this year.  It follows a young man who must face-off against the forces of darkness while mending broken friendships and getting over a painful break-up.  And while this is being billed as a horror-comedy, the drama, chaos and carnage in this film are going to be straight from the pits of hell.  I was fortunate enough to read the script and it’s got basically everything you could hope for in a horror flick.  I won’t spoil anything, but this is going to be a damn fun ride, a ride that you can help make happen.  But enough from me, hear it from the creator himself!  LAHorror.com got to chat with Coupe about his film, his plan and even some of his demons…enjoy horror lovers!

1LAHorror:  Coupe, “Demons” the movie. In three sentences or less, what are audiences going to be in for?

David Coupe:  They are going to be in for an extremely relatable story about relationships that is paired with some of the most outrageous horror they’ve ever seen. I’m currently writing my ninth draft and there are moments that cause my heart to break for the characters as well as moments that make me run around my apartment in demented glee. There is one thing in particular I can’t imagine anyone who sees the movie not talking about non-stop after seeing it.

LAHorror:  So are you going for an “Evil Dead” type of outrageous? What are some of your inspirations with this script, specifically horror inspirations?

DC:  Someone, after one of the read-throughs, described it as “500 Days of Summer” meets “Evil Dead.” I think that’s not too far off. Specific influences while writing are definitely the “Evil Dead” movies, “The Exorcist,” “Shaun of the Dead,” and the recent crop of demon movies like “The Conjuring.” A lot of these movies I bow at the alter to and some of them, like “The Exorcist” and “The Conjuring,” I specifically study to play with the genre conventions.

LAHorror:  Haha awesome! “500 Days of Summer” meets “Evil Dead,” that’s great!  The tag line on your Kickstarter says: “An independent horror/comedy about cults, demons, and relationships. Each more horrifying than the last.”  What is so horrifying about this relationship? What’s going on with these characters?

DC:  I think that relationships are all about trust. The closer you get to someone the more of yourself you are putting in their hands. You don’t want to find out that your trust is misplaced. This movie sees the collapse of a romantic relationship in it’s first few scenes. The main character’s girlfriend breaks up with him and elects to become the host for a powerful and seductive demon. That gives the main character some serious trust issues that permeate the rest of the story. Friends whose integrity he never would’ve doubted are now under intense scrutiny. The whole movie is about this guy finding himself again in the wake of everything in his life changing.

LAHorror:  And while he’s finding himself, he’s battling a blood thirsty Demon? Is this a story about getting the girl back or killing the demonic bitch?  Exactly what kind of demon is he up against?

10DC:  He doesn’t even know! He’s in straight up denial mode with the break-up. He still thinks he can salvage it! Unfortunately, the girl he knew is gone. In her place is the most powerful, vicious demon that you’ve ever seen on film. This demon has a plan to eradicate the planet of mankind so he and his kind can run free. He pretty much wants to turn Earth into a vacation spot for his kind. This demon is going to do things to the human anatomy that is going to make you either squirm or squeal depending on where your tastes lie!

LAHorror:  Excellent! So what’s the method to this demon’s madness? What kind of HORROR / GORE does it wreak?

DC:  She is going to rip a character’s dick off and then whisper a incantation on it. She turns it into a sword and cuts his head off with it.

LAHorror:  …that’s fucking brilliant.

DC:  I mean, I think I probably shouldn’t be holding anything back with my first movie.

LAHorror:  Speaking of which, how stoked are you to be directing your first feature film? Are you nervous about being the writer / actor / director, all in one?

DC:  I’m absolutely terrified. I’ve never done anything like this before in terms of wearing so many different hats all at once. Unfortunately, I’m way more excited than I am terrified. I’ve been working on this for over a year and I can watch the movie in my head. In it’s entirety. And in my brain I’ve got the part. Also, as a director, it’s nice to know my lead’s schedule so far in advance.

LAHorror:  And how about your cast & crew? What’s your team starting to look like?

2-1DC:  It’s an embarrassment of riches. I had a pretty awesome run of working non-stop in Chicago theater from October 2012 to August 2014. I got to meet the best actors that Chicago (and probably the world) have to offer. So I cast the crap out of them. My crew are hard working and diligent. They are still coming together at the moment. This Kickstarter campaign will help us secure everyone we want to work with. The parties are interested, but we do need the cash to back up the vision.

LAHorror:  And on that note, why should people, HORROR fans in particular, take a look at your Kickstarter campaign?

DC:  We shot a proof-of-concept piece last year and it’s on the page. We didn’t make it with much money, but I think it shows that we’ve got our hearts in the right place. Check it out for the preview alone. If it’s something you enjoyed. I can tell you exactly how to get more:  You donate to the Kickstarter. I just want to make that clear!  It seems like a weird thing to leave ambiguous.

LAHorror:  Is there anything else you want to share about “Demons”?

DC:  I’m going to be making movies for the rest of my life. That is a 100% guarantee. It should start with this one. The script is great. The cast is better. We want to take the audience for this ride. I don’t want to just entertain people with this movie. I want to possess them.

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Be sure to check out “Demons” on Kickstarter!  You can also learn more about the cast & production at the official “Demons” website.  Also, be sure to like “Demons” on Facebook and follow the film on Twitter!

LA Horror Review: “El Gigante”

elgigantewebEl Gigante” is an incredibly ambitious and stylish short horror film from LuchaGore Productions funded through a successful Kickstarter campaign. Perhaps best known for their “M is for Matador” entry into the “ABCs of Death Part Two” competition, LuchaGore is a creative team that has clearly found their stride and are poised to make the leap from short form to feature films.

“El Gigante” opens with a gorgeous desert vista and a man stumbling through the heat. Through a flashback, we learn that the young Mexican man is named Armando (played by Edwin Perez) and that he tried to strike a deal with a coyote to smuggle his family across the border. They didn’t have enough cash, so Armando had to make the border crossing on his own.

Armando makes it to the border, but is intercepted by a mysterious stranger. Armando passes out. He awakens inside of a room that holds a wrestling arena/altar. He now has a burlap Lucha Libre mask sewn to his face. As a grotesque family of characters watch, he is forced into a death battle with El Gigante, an enormous wrestler.

Visually, this short is a huge treat. It embraces grindhouse style entertainment without veiling it in a fake 1970s aesthetic. The production design and costuming are top notch: this movie pays close attention to textures and character and set design in a way that most short films do not. The makeup and gore effects are incredibly effective. This movie looks and feels filthy.

The cinematography by Luke Bramley and Spencer Village is reminiscent of Dean Semler’s work in “The Road Warrior.” The camera is not in constant motion, but there’s an effortless flow established and enhanced by the editing of director Gigi Saul Guerrero and co-director Bramley.

Guerrero is the colorist for the film as well, and chooses vivid lurid red accents to the sickly greens, yellows, and greys of the wrestling arena. She has a great eye for action and how it can be used to reveal character.

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“El Gigante” is currently on the festival circuit, and will hopefully be seen by people who see the feature potential in it. The short is adapted by Shane McKenzie from the first chapter of his book “Muerte con Carne,” and it’s an amazing contribution to “The Texas Chainsaw Massacre” style cannibal family genre. Each family member has a distinct look and role to play in the slaughter. If the rest of the book is as exciting as this first look is, then El Gigante could one day join Jason and Leatherface in the pantheon of masked movie killers.

Be sure to “like” LuchaGore Productions on Facebook and follow them on Twitter @LuchaGoreFilm.  This review was written by LAHorror.com contributor Paul Stephen Edwards.

LA Horror Talks Camping with Horrorble Podcast!

I fucking love camping.  There’s no denying that.  And while I’ve been lucky enough to survive all of my camping adventures, many characters in the horror universe, unfortunately, have not.  After all, putting yourself in terrible peril by gathering and partying in the deep monster and serial killer infested woods is a quality recipe for great horror–or campy horror to say the least!  To close out 2014, I took a trip into the deep woods to discuss camping horror with Horrorble Podcast, your source for straight talk, face value horror!

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Horrorble Podcast is hosted by Devon Arnold, along with co-hosts Dylan Holland, Manton Frierson and Brandon Ritman (aka Blootster).  On the docket?  Camping Horror, particularly in the films “Exists,” “Friday the 13th (2009)” and one of my personal favorites, “Sleepaway Camp.”  Check out the episode to see which of these films earned a GEM or a STINKER rating from myself and the Cast!

Listen to the episode here!

HorrorbleCoverWhat Devon and his crew have created with Horrorble Podcast is an everyman approach to different horror topics, which is one of the reasons why I love this cast.  These guys aren’t necessarily horror film buffs, but rather regular fans who know what they like and what they don’t like, and have a pretty damn good time telling you why.  That being said, their insight into the genre is impressive and worth noting.  They have already released a plethora of horror content on their cast, covering a wide variety of horror topics and sub-genres.  Some of my favorite episodes include “The Christmas Episode,” “The Don’t Episode” and their interviews with filmmakers Ivan Kavanaugh (The Canal) and Aaron Moorehead & Justin Benson (V/H/S:  VIRAL).

If you’re a casual horror fan or a die-hard, definitely keep up with Horrorble Podcast.  And for any of you campers out there, for God’s sake don’t have sex or do drugs in those woods.  It’s just asking for trouble that you probably can’t handle…

Be sure to follow Horrorble Podcast on Twitter and “like” Horrorble Podcast on Facebook!  Horroble Podcast is also available on iTunes and Stitcher.

 

LA Horror Review: “You Are Not Alone”

God bless America, and God bless HORROR!

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Writer/Director Derek Mungor, the filmmaker behind LAHorror.com favorite “Desolation Wilderness,” is back with another creeper, “You Are Not Alone.”  This is a super beautiful film is about friendship, memories and revisiting old times…oh yeah, and a totally freaky serial killer.  It’s a genuine slice of life turned hyper suspenseful slasher movie, shot entirely from the prospective of one character.  The film is co-written by Chris O’Brien.

Natalie is a college graduate visiting her hometown over the 4th of July. The night she arrives, she is stalked by a sociopathic killer.

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YANA_Still_15I always love it when horror movies have a nice slow burn, but it makes me really hope that the filmmakers pull it off in the end.  Mungor and his team knock this one out of the park.  “You Are Not Alone” is one of the scariest serial killer slashers I have ever seen.  It takes advantage of your perception, aided by sincere and welcoming performances by a fun and likable cast and makes you feel as if you’re truly living as one of the characters in the film.  This both adds to it’s unique charm and also amplifies the horror when things get rough.  And when sometimes slasher movies get caught up in narrative and over explanation, “You Are Not Alone” takes a much different approach.  The film isn’t exactly about why these killings are happening, but moreso about the events themselves.  It’s the best type of slasher film:  one that respects its audience and simply shows you the events of one tragic July 4th weekend.

YANA_Still_18Do yourself a favor and watch this one with ALL of the lights turned off.  I mean that.  Hats off to Mungor and Director of Photography Ryan Glover for creating what seemed like constant suspense and anticipation, primarily through the use of light and shadow.  A great look accompanied by an amazing score by Jason Aud and some ultra creepy sound design by Jason Neumann, this film is incredibly intense…I cannot emphasize that enough.  “You Are Not Alone” is the type of slasher that had me at the edge of my seat, jumping at every turn, and when you see it, chances are you will be too.

And on a side note, it’s really great to see a 4th of July horror movie.  I can honestly say that this film has potential to be a once a year favorite for the BBQ holiday, much in the same way that other holiday horror favorites have found spots in our hearts.  This movie pays homage to a lot of greats before it, yet it never loses itself.  Die hard slasher movie fans, get ready for some fireworks, and remember…”You Are Not Alone.”

For more on “You Are Not Alone,” please “like” the film on Facebook and follow the film on Twitter.

LA Horror Review: “In Defense of Traditional Marriage”

Marriage is scary, everybody knows that.  And as if there isn’t enough on our plates when dealing with our nuptials, some feel the need to turn marriage into one of those hot button issues.  After all, while marriage is a magical time in our lives it’s also a very controversial issue that our society needs to address.  Writer/Director Thom Newell throws his horrifying two cents into the marriage debate with his hilarious short film, “In Defense of Traditional Marriage.”

Ahhh, true love.  This is a horror film that works on a variety of levels.  First of all, great hook.  For a moment I questioned if I was even watching a horror, then blammo, it’s on.  Thom Newell’s over-the-top satire works because while I don’t necessarily know what the piece is trying to say about traditional marriage as we know it, I do know that it’s damn gory and hella funny, so we’ll all just agree to get along on this issue for now.

Excellent use of gore as well with a terrific design as well, this is definitely one of the most beautiful brides I’ve seen in quite some time.  And lastly, the cast does a terrific job.  Some genuinely funny moments that made me laugh out loud throughout.

Pass me a kleenex…I always DIE at weddings!

For more from filmmaker Thom Newell, be sure to visit his official website.  You can also follow Newell on Twitter.

Emily Eden Films & LAHorror.com Present: “The Chronicles of Ruth”

Horror lovers!  I couldn’t be more excited to announce that LAHorror.com is teaming up with Emily Eden Films & visionary Writer/Director Brialynn Massie to Co-Produce / Co-Star in an amazing new Web Series called “The Chronicles of Ruth” (#TCOR)!  This is a project that I’m extremely excited about, and if you’re into HORROR, POSSESSION, HELLFIRE & more, then you should be pretty damn excited too!

“How do you save someone from Hell when you can’t even save yourself?”

#TCOR follows “Ruth,” a young teen who struggles with depression, leading her astray into hell, and her journey to escape this darkness to warn her family of the impending apocalypse.  It’s one of the most ORIGINAL and EPIC horror scripts I have read in quite some time, Bria Lynn Massie has really created a really special story and assembled a cast that is incredibly talented and diverse, including Chris Kato, Jocelyn Watts, Bobbie Lee, Chris Pardal, and Daniele De Leggia, to name just a few.  We need your help getting #TCOR produced!

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This is a story that’s extremely accessible to horror fans of all types.  What initially attracted me to this project was not only the scope and depth of the characters, but the real nasty horror elements that prevail throughout.  Whenever I read a horror script, there’s nothing that I love more than the moments that can make even me cringe, and #TCOR is full of them!  This is a seriously ambitious project but I have no doubt that with this cast & creative team the product will be incredible!  Here’s a small glimpse into the madness that we’re going to create…

https://www.youtube.com/watch?v=tg3KeZmUgT4

There are a lot of fundraising campaigns out there, and this is one that you should strongly consider backing.  We’re a young, hungry and enthusiastic team set out to create an epic horror drama, filled with SCARES and CARNAGE, but also filled with inspiration and heart.  We are offering some awesome perks for backers and we’re planning several charitable events to help pay it forward (we’ll keep you posted on the details and how you can help as well)!  We cannot do it without you.

Please, help us make “The Chronicles of Ruth” a reality by donating, sharing our campaign or simply “liking” #TCOR on Facebook and following #TCOR on Twitter!  This is a project you’ll definitely want to keep up with, so keep checking back for more info!  Thanks for the support, Horror Lovers!

LA Horror Review: “Starry Eyes”

Amaray Wrap.EPSThere’s a neat magic trick that “Starry Eyes” pulls off.  In telling the story of an unknown actress going to great lengths for the lead role in a horror film, it allows a relatively unknown actress to deliver an amazing performance in a horror film.

That it’s able to pull this off without becoming self-referential and overly “meta” is a testament to the directing team of Kevin Kolsch and Dennis Widmyer.  They build a seedy, claustrophobic world that allows Alex Essoe to deliver an incredibly focused and committed performance.

Essoe plays Sarah Walker, an aspiring actress who works at Big Tater’s: a Hooter’s-esque restaurant run by Pat Healy, and surrounds herself with hipster frenemies while hustling auditions.  She’s obsessed with becoming a star.  Not just any kind of star, either.  She idolizes old Hollywood leading ladies.  Her timid demeanor masks some serious psychological issues: when she’s upset, she goes into fugue states and pulls her hair out in clumps.

starry-eyes-sxsw-laurel-official-1Her big break seems within reach when she lands an audition for Astraeus Pictures (also the real-life title of the film’s production company), which is depicted as the decaying remnant of an old Hollywood studio.  The audition does not go well, and she has an episode in the studio’s bathroom.  The Casting Director sees this and is intrigued.  She arranges another audition, where Sarah has one of her fits in front of the camera.

The rest of the film is the study of how far Walker is willing to go to achieve success with Astraeus.  Her ambition is the driving force behind the story and pushes her into a Faustian bargain with the Producer of Astraeus.

What’s fantastic is that the film works completely as metaphor for the process and business of acting while still telling a fantastic story.  It references great old Hollywood studio pictures such as “All About Eve” and “Sunset Boulevard” without quoting from them.  We’re never told exactly who or what the forces behind Astraeus are.  We simply see the wonderfully creepy and not quite human performances of Maria Olsen as the Casting Director and Louis Dezseran as the Producer

When Sarah makes her deal with Astraeus, the movie takes a swing into full blown body horror.  There’s some great disgusting makeup and gore in the second half of the movie.  The climax of the film is delightfully ambiguous, leaving you to decide if Sarah’s sacrifices and choices were worth it in the end.

Alex Essoe is the movie’s greatest special effect.  This movie is a showcase for her performance, as she’s in nearly every frame of the film.  She delivers a performance that is honestly one of the best I’ve seen this year.  Her scenes with Pat Healy are just spectacular: heartfelt and completely real.  I haven’t seen a woman disappear into a role this completely in a horror film since Tristan Risk’s Beatress in “American Mary.”

starry-eyes-art-print-final“Starry Eyes” isn’t just a great horror movie; it’s a great Los Angeles movie.  It uses a number of great locations around the city, and depicts the squalor and trashiness of modern Hollywood, contrasting the glamour and perfection of the movie version of Hollywood.  The lush cinematography by Adam Bricker excels in showing a beautiful environment and then zeroing in on the chaos and decay that lurk at the edges.  This is Hollywood by way of Lovecraft and Ligotti.

Finally, the score is perfect.  It’s by Jonathan Snipes, who also scored “The Shining documentary “Room 237.”  It’s due to be released in February when the movie hits DVD and Blu-Ray.

Starry Eyes is currently available on VOD from iTunes and Amazon Instant Video.  I was lucky enough to see it in its only Los Angeles screening at Cinefamily.  If you’re in the mood for a horror movie in the vein of “Rosemary’s Baby” or “Possession,” you’ll really enjoy this movie.  There’s so much creativity in every frame of this film.  Seek this one out wherever you can find it.

To learn more about “Starry Eyes,” visit the film’s official website, Facebook and Twitter.  This review was written by LAHorror.com contributor Paul Stephen Edwards.  

H E R E T I C: A One of a Kind Live Horror Experience

HereticHaunted houses have become a lucrative field.  According to the Haunted House Association, haunted attractions pull in over a billion dollars annually in the United States.  Most of these are family attractions such as corn mazes and hay rides that may have a few actors or props to provide a few jump-scares for you.  These are decidedly PG-rated affairs and generally fall more toward the “creepy and spooky” level rather than anything genuinely scary.

Of course, there are the large scale theme park attractions such as “Knott’s Scary Farm” and “Universal Halloween Horror Nights” that provide professional level makeup and effects.  There is a higher gore factor and more implied violence.  These are the PG-13 style attractions.

And then there are the “extreme” haunts.  In attractions such as “Blackout” and “Alone,” you go through alone and must sign a waiver.  Full contact is allowed and you are placed in extreme situations involving sexual situations and psychological stress.  You are provided a safe word to cease the interactions.  Definitely hard R ratings here, possibly drifting toward the NC-17 if we continue our MPAA analogy.

H E R E T I C would be the ratings equivalent of a 70s style X.  The MPAA would quite simply refuse to give it a rating and would possibly contact the state and local authorities to round up the responsible parties.  Part performance art, part horror film, it is not meant to be scary.  It is meant to be fucking terrifying.

And it’s free.  But there’s a catch: you have to be invited.

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Chances are, if you’re on the invite list, you’ve already encountered the creative mastermind behind H E R E T I C: Adrian Marcato.  Marcato is a makeup and effects artist for movies such as “Dead Sea” and “House of Manson.”  And for the last year, he has been causing people to scream out designated safe words under the banner of H E R E T I C.

I first encountered Marcato at “ScareLA” where he was running a five minute demo version of       H E R E T I C.  I stepped behind a curtain into pitch black and was immediately accosted by a demonic figure.  I didn’t even notice the blood on my clothes until an hour later.  It was truly bizarre and terrifying, even in the middle of a crowd of people.  Marcato promised that this was just a taste of the full event.

The following is an e-mail interview with Marcato conducted just after the conclusion of the latest H E R E T I C event: P A R A T O X I C.

Paul Stephen Edwards: Let’s start with your background in practical FX & makeup.  What’s your origin story?

Adrian Marcato: I have been in FX for five years now. I actually started taking screenwriting classes and moved into shooting my short films. The first one I wrote, shot, directed and did the FX for by just learning on the spot. The name of the film was “Her Dead Flesh,” [and] it was about a girl that on the way home was raped and killed by a creature (it’s revealed later a vampire). She comes back to life murdering and drinking blood. That was my first FX job turning my classmate (now wife) into a rotted vampire that masturbates with bloody severed limbs. I did FX for friends and eventually landed my first horror film “Hatchet 3” as an intern.

PSE: And what led toward the transition to live performance?

AM:  Prior to that, I had worked at “Knotts Scary Farm” as a monster and security. I worked four years on that haunt, learning by watching the production from all sides. In 2011, I started working FX for the “LA Haunted Hayride” and that was great, because I was allowed to be creative with the make-up.

In 2013, I wrote a film called H E R E T I C, shopped it around, and actually took meetings with a few production companies–a few minor and one major. They passed on it, so I decided to just do it myself, and it was during the casting for it I got bored after seeing like 100 people.  So I decided to scare the actors coming in by presenting a disturbing scene they had to act out…it was then I decided to develop It into a haunted house. I tested the material out on myself first which was a really brutal experience.

PSE:  What was brutal about it?

AM:  I wanted to see how real I could make it. I asked three close friends to participate as my monsters. I was tied to a chair in my basement and I could got not get out of my restraints. I then told them to lay five weapons on the ground in front of me: a bat, a knife, a metal pipe, a rope, and gloves.  They were told by me that I had to choose three out of five and it [would] be random. I was very scared when the blindfold went over my eyes. I chose the gloves first by pointing blindly and one of my friends put sheer latex gloves on and for 10 seconds hit me very hard. The knife was picked next … I was slightly cut. Nothing heavy, but the last cut was deep. I called safety and it was over.

Never again.  That was very intense, but it helped me to create a vicious design without going to those extremes.

PSE:  But H E R E T I C is pretty extreme.  I mean, as far as haunts go.  What was the first version like?  How many attended and what was the feedback that you got?

AM:  It was in my house. We gutted it and made it very dark and foggy. We had four rooms, and it started in a very small room that was enclosed with two doors: one into the room and another that lead into the house. You were greeted by a very creepy pale woman that did not talk to you but played a recording. She wanted you to help her find her daughter’s body that was supposedly in the house. She also explained that filthy, sick people were in the house, mentally deranged and mad.  She opened the door. The dim light and fog spilled into the small room. She slowly pushed you in and closed the door saying there is only one way out.

Once in the hallway, you could not see anything. A figure slowly became clear calling you down the hallway toward it. As you got closer, the things inside would pull you into the dark rooms and begin torturing and violently throwing you around in a padded room. Guests were turned upside down and forced to watch disgusting sexual exorcisms performed on violent possessed victims.  The end is secret but we only had seven people go through and each one LOVED IT. One guy said he was so scared he was in bed for three days after leaving.

PSE:  It’s that commitment to supernatural horror that separates H E R E T I C  from other individualized horror experiences such as “Blackout” and “Alone.”  How has the story evolved, and what are the challenges and differences writing a live experience versus a movie screenplay?

AM:  I wanted to treat it like a franchise, so every sequel to H E R E T I C was different, but held some components from the original story. The second one was [about] how the daughter was murdered and how the mother was drugged and used to procure other girls. The third was the secret group that did horrible things in honor of their demigod MASOCH.  H E R E T I C 4 took our guests even further to the process of becoming part of the secret cult, and part five, which was our last show, dealt with disease as worship.  A man from the secret cult is exiled so he starts his own religion based on a disease he creates.

Writing a live experience is just taking out all the cool elements of the story and shaping it into a shorter almost theatrical feel but keeping the viciousness of a horror experience.

Heretic dead_girl_6328

PSE: Speaking of franchises, you’re moving into new territory with Midnight Killer.  What’s the story with that?

AM:  It’s much different than              H E R E T I C and I’m very excited for people to go through it. I took some very cool serial killer movies and a haunt and mixed them together. Guests won’t know what’s coming …it’s as brutal as
H E R E T I C but [there’s] more interaction with my main character. The story revolves around a man named Lucas Merrill: a large presence that takes you on a short ride through hell.

PSE:  So what have you learned about fear from this experiment and where do you hope to take it?

AM:  Fear is something that’s inside everyone. It’s buried for most people.  During my last              H E R E T I C one guy said I tapped into his childhood with one scene and he freaked out …I hope to take people places they’ve never expected.

To learn more about H E R E T I C, be sure to “like” the event on Facebook.  This feature was written by LAHorror.com contributor Paul Stephen Edwards.

LAHorror.com Original: “Knife Party”

Happy Fucking Halloween, Horror Lovers!

I hope you’re having a ghoulish holiday, and to sweeten it up just a bit, we’ve got a treat that will really satisfy your appetite for CARNAGE!  LAHorror.com is stoked to premiere our new short horror film, “Knife Party”!  This little slice of horror is directed by Paul Stephen Edwards and produced by LAHorror.com contributors Mikhail Zakharchuk and Hunter Johnson.  It also features a totally dope soundtrack from TeKNOsuicidE!  So put on your best outfit and come join Alec JamesChrissy Cannone, Cassandra JonesRobert Michael Price and myself to the “Knife Party”! I’ll be sure to bring my sharpest cutlery, too…cheers!

MMM…I’m hungry for seconds…

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